Mireille Roobaert, photographer and storyteller, interprets the architecture in everything to show us its reality. In her new series entitled “Les iris de la forêt” (The irises of the forest), she imagines the living nature of trees, and places the notion of observation in abyme, through a unique point of view, a tour of ourselves.
The digital revolution has liberated the creativity of this visual artist, who has made anamorphoses her embodied language. For the past 20 years, she has been using technology as a tool for transformed realism, and has been creating virtual spheres, matrices of her phantasmagoria.
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